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Monday 25 of November 2024

John Williams composition about ghost making world premiere


FILE - In this June 9, 2016 file photo, composer John Williams poses on the red carpet at the 2016 AFI Life Achievement Award Gala Tribute to John Williams at the Dolby Theatre in Los Angeles.   A new John Williams composition about a ghost said to have scared Leonard Bernstein is making its world premiere.
FILE - In this June 9, 2016 file photo, composer John Williams poses on the red carpet at the 2016 AFI Life Achievement Award Gala Tribute to John Williams at the Dolby Theatre in Los Angeles. A new John Williams composition about a ghost said to have scared Leonard Bernstein is making its world premiere. "Highwood's Ghost, an Encounter for Harp, Cello, and Orchestra" will be performed Sunday, Aug. 19, 2018 at Tanglewood in Massachusetts, the summer home of the Boston Symphony Orchestra. (Photo by Chris Pizzello/Invision/AP, File),FILE - In this June 9, 2016 file photo, composer John Williams poses on the red carpet at the 2016 AFI Life Achievement Award Gala Tribute to John Williams at the Dolby Theatre in Los Angeles. A new John Williams composition about a ghost said to have scared Leonard Bernstein is making its world premiere. "Highwood's Ghost, an Encounter for Harp, Cello, and Orchestra" will be performed Sunday, Aug. 19, 2018 at Tanglewood in Massachusetts, the summer home of the Boston Symphony Orchestra. (Photo by Chris Pizzello/Invision/AP, File)

LENOX, Mass. (AP) — A new John Williams composition about a ghost said to have scared Leonard Bernstein is making its world premiere.

“Highwood’s Ghost, an Encounter for Harp, Cello, and Orchestra” will be performed Sunday at Tanglewood in Massachusetts, the summer home of the Boston Symphony Orchestra.

The ghost haunts Highwood House, a building on the Tanglewood property.

Many people have reported encounters with the specter over the years, but Bernstein’s story is perhaps the most famous. Bernstein said he was approached by an apparition in 1990 while sitting by a window on the second floor. Startled, he sprang from his seat and called out to the figure.

Williams said he wrote the piece for fun and to “provide the unusual combination of harp and cello an opportunity to set the stage for an ectoplasmic visit.”